Tuesday, 14 November 2017

Burn it Down Sis

I can't remember the full quote about seeing your heroes become villains, but given recent events, it's a quote that isn't leaving my head any time soon. As my last post was inspired by, there have been a lot of highly negative revelations about how embedded sexual harassment and assault are in certain cultures, namely that of TV and film. Every story bravely told by a survivor has touched my heart and angered my soul, but there is one that has particularly struck me.

As I have mentioned before, One Tree Hill is an absolute favourite TV show of mine. When I was thoroughly struggling to navigate the years from 14 until about 18, it found me and helped me. I connected with Peyton Sawyer's character better than I did with some real people at that time. This means that that TV show is always going to have a special place in my heart, and I'm always eager to share it with others.

Unfortunately however, One Tree Hill has become attached to the negativity the TV and film industry is currently embroiled in. It was revealed on Twitter that the show's runner Mark Schwahn displayed predatory behaviour throughout the show's run, sexually harassing many of the females connected to the show. This letter has been written:
To Whom It May Concern,
All of the female cast members of One Tree Hill have chosen this forum to stand together in support of Audrey Wauchope and one another. To use terminology that has become familiar as thesystemic reality of sexual harassment and assault has come more and more to light, Mark Schwahn’s behavior over the duration of the filming of One Tree Hill was something of an “open secret.” Many of us were, to varying degrees, manipulated psychologically and emotionally. More than one of us is still in treatment for post-traumatic stress. Many of us were put in uncomfortable positions and had to swiftly learn to fight back, sometimes physically, because it was made clear to us that the supervisors in the room were not the protectors they were supposed to be. Many of us were spoken to in ways that ran the spectrum from deeply upsetting, to traumatizing, to downright illegal. And a few of us were put in positions where we felt physically unsafe. More than one woman on our show had her career trajectory threatened.
The through line in all of this was, and still is, our unwavering support of and faith in one another. We confided in each other. We set up safe spaces to talk about his behavior and how to handle it. To warn new women who joined our ranks. We understood that a lot of it was orchestrated in ways that kept it out of sight for the studio back home. We also understood that no one was fully unaware. The lack of action that has been routine, the turning of the other cheek, is intolerable. We collectively want to echo the calls of women everywhere that vehemently demand change, in all industries.
Many of us were told, during filming, that coming forward to talk about this culture would result in our show being canceled and hundreds of lovely, qualified, hard-working, and talented people losing their jobs. This is not an appropriate amount of pressure to put on young girls. Many of us since have stayed silent publicly but had very open channels of communication in our friend group and in our industry, because we want Tree Hill to remain the place “where everything’s better and everything’s safe” for our fans; some of whom have said that the show quite literally saved their lives. But the reality is, no space is safe when it has an underlying and infectious cancer. We have worked at taking our power back, making the conventions our own, and relishing in the good memories. But there is more work to be done.
We are all deeply grateful for Audrey’s courage. For one another. And for every male cast mate and crew member who has reached out to our group of women to offer their support these last few days. They echo the greater rallying cry that must lead us to change: Believe Women. We are all in this together.
With Love and Courage,
The Cast,
Sophia Bush, Hilarie Burton, Bethany Joy Lenz, Danneel Harris, Michaela McManus, Kate Voegele, Daphne Zuniga, India DeBeaufort, Bevin Prince, Jana Kramer, Shantel Van Santen, and Allison Munn
And Brave Crew,
Audrey Wauchope, Rachel Specter, Jane Beck, Tarin Squillante, Cristy Koebley, JoJo Stephens
And All the rest of the Women We Worked With Who Are Finding Their Voices as We Speak

I could not have more admiration for these women, who fought against such horrific behaviour to bring to the masses some of the strongest female characters I have ever known. They're incredible people, and the show can still be considered the amazing safety net that it is for so many. That show was not one man and his horrendous actions, that show was a platform from which battles were fought, points were made, and strong people grew.

As the letter says; we're all in this together. Even if it hasn't happened to you, it will have happened to your mother, sister, friend, colleague, favourite actors. This is a worldwide problem that no amount of privilege can protect a person from it. It's absolute shit that so many have been abused in this way, but the fact that so many have mean that whatever you have faced, you are not alone. You are not the only one. There are people out there who can share in your experiences, and there are even more people there that can support and want to fight this horror with you.

The times they are a-changing, and it's about bloody time. #BurnitdownSis

Wednesday, 11 October 2017

Don't Rain on my Parade

I haven't blogged in a good while now, in part because I haven't had much to say, and in part because I've had too much to say. Then, a few days ago, stories came to light in the news that couldn't get a particular line of this song out of my head. The line will be obvious as you read on I imagine, the slight twist on it almost wrote itself.
From there I decided to redo the lyrics of the whole song, because why not?! By all means give it a read and see what you think,  listen to this song and see the musical Funny Girl, and more than anything, think about what's been happening in the world, and do what you can to be the change you want to see.

*Disclaimer: I don't hate men.*

Don't Bring us Women Down

Don't tell me it's my fault
He chose to attack
His choices not to stop
Ignored my fight back
Stop using my clothing
To bring us women down.

Don't tell me not to strive
Like it affronts you
Housewife, leader, plumber
What is it to you?
Stop using working life
To bring us women down.

We've marched our hearts out
We've beat our drums.
You've turned your back now
Please listen now, world
This problem isn't leaving
Soon, world, you to start list'ning

But whether you ignore
Our vast achievements
Our needed additions
To all existence
Make nothing of us but breeders, dreamers, and slaves

We gotta be scared
We gotta take care
Always our fault, right, world?

Ooohh, life it can be
Can be, fair for all
You're gonna have to try, world!

Get ready for it, now
'Cause change is coming
We gotta raise our voice
Make sure you're list'ning
Stop using silence from fear
To bring us women down.

Our bodies should be our own
They are ours and ours alone
We can't sit by much longer
Only together we're stronger
We can't have our rights just banned
We can't accept this t as what's planned
Hey, Mr Weinstein, here we stand!

We've marched our hearts out
We've beat our drums
You've turned your back now
Please listen now, world
This problem isn't leaving
Soon, world, you need to start list'ning.

Get ready for it now
'Cause change is coming
We gotta raise our voice
Make sure you're list'ning.

Please stop, stop, please stop
Bringing us women down!

Friday, 11 August 2017

The Art of London

Two weeks ago today, I had just returned from Japan the night before, but was up, at it, and off to London!

It might seem not-exactly-sensible to have committed to a weekend away immediately after returning from such a trip, but working life led to it really with that being my only three day weekend for the rest of the year, due my dad's birthday being during August Bank Holiday. For my birthday in April, Alex's parents kindly got me vouchers for theatre tickets that could be redeemed for most theatres in the country, in complete acceptance of my wish to collect memories not things. Now, despite me not being the biggest fan of London in the slightest, it must be admitted that London does have the best theatres with the widest range of shows. London is also home to the BFI, one of four places in the country showing Dunkirk in 70mm, the British Library that currently has an exhibition about the Russian Revolution running, one of my great friends from Keele, Georgia, and Cantina Laredo that makes your guacamole in front of you. Weekend: sorted.

The Ferryman
The Ferryman is the latest creation from Jez Butterworth, who is famed for 'Jerusalem'. Without wanting to give too much away, it is based on an Irish family in the 1980s. The vast majority of the play takes place in the kitchen in home of Quinn Carney, his wife and seven children, three older relatives, and his sister-in-law and her son. They appear to be based in the Republic of Ireland, but when cousins 'from the town' come to visit, the town referred to is Derry (where my dad's from incidentally), and that is in Northern Ireland, so they're probably very close to the border. You can see Donegal from Derry, so I imagine it is probably there.

The set is used very well, meaning that you aren't constantly staring at one point of the stage, even though there is only one set mainly used. The characters that come in and out also add great depth to what is being performed, and keep you alert throughout the three hours that the play lasts. All of the actors play their roles very well, and with great sincerity, that is including the children. The storyline is also very sincere, and as far as I can tell, accurate. The family are Catholic, and the IRA are involved in the plot, but it isn't overdone or farcical, there is something very genuine about the whole play.

It's an absolute must-see, and I'd love even more people to discuss it with!

DunkirkAs with 'The Hateful Eight' by Tarrantino, 'Dunkirk' was filmed in 70mm, with only four cinemas in the UK able to show it in exactly that. It was released more broadly, but the actual picture is somewhat skewed, eg. black lines needed at the top and bottom of the screen. It's a real film-nerd thing to specifically seek out to go and watch, but that's my Alex! And to be honest, I really appreciated it to.

The film was absolutely incredible!

With little dialogue it was a very serene experience, even though you were watching extremely emotional events. In general, I'm not the biggest fan of war films. I'm a massive history nerd, so appreciate them on that level absolutely, but I detest war and people killing each other so I usually end up angry and sad. (Side note: Desmond Doss recently became an absolute hero of mine, and 'Hacksaw Ridge' a film that has completely touched my because of this). I definitely did get angry and sad when watching 'Dunkirk', but I also felt sheer elation at the end.

Everyone in it played their parts very well, but with the lack of dialogue it wasn't possible for any brewing egos to emerge. I have to give props to Harry Styles, as I imagine it must have been ridiculously intimidating working with such greats as Kenneth Brannagh and Tom Hardy, but he performed his role admirably.

The Russian Revolution Exhibition 
I have always been interested in Russian history, but have only actually studied Peter the Great, so in terms of knowledge 'westernisation' is the phrase I know. Alex however, is far more knowledgeable about Russia, having studied it to the point of writing his undergraduate dissertation about it. That meant that going in to the exhibition we both in the same book, but on very different pages. Having said that, I feel with both were able to enjoy it. I think Alex's enjoyment was more of an appreciation for the artefacts that were available and what not, while for me, I enjoyed learning more about events that thoroughly interest me.

It was a very well but together exhibition, and made logical sense in the way that it was laid out. There wasn't a lot to it though, and even with reading pretty much everything readable, watching everything watchable, it only took about an hour for us to go around. This was fine in terms of 'value for money' as we had 2 for 1 tickets that were made available when we booked our train tickets, and we didn't have all afternoon due to getting the train home. If you are planning to go there without any other plans for the day though, I would make other plans, as it really doesn't take that long.


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